Tag Archives: Minnesota Theatre

The Primrose Path: Guthrie Theater

image_4Written by: Chrissi

This past Friday I had an awesome opportunity to attend opening night of the world premiere of the Primrose Path at the Guthrie. The play was based on 19th century Russian author, Ivan Turgenev’s novel, Home of the Gentry, adapted by Crispin Whittell. Before I delve in too far, let me say that this is a great new work and you should give the Guthrie a call and snatch up some tickets ASAP.

Alright, here we go.

The Primrose Path reminded me of a mixture of Pride & Prejudice, Jane Eyre, and Anna Karenina (mostly because it took place in Russia). In other words, prepare yourself for a period love story that takes place in Russia with plenty of twists and turns along the way. Also before you bring your teenage daughter, please strongly consider the ‘brief nudity’ warning. (It was not so brief…)

The cast was absolutely wonderful. They say you’re only as strong as your weakest player, and in this case there really were no weak players. While the actors can certainly take credit for their abilities, I do think that much of the credit can be attributed to the direction of Roger Rees.  The additional layer of music within the play served as a tasteful and purposeful garnish- all executed with skill. In regard to the acting, it was great to see the control the actors had over their characters. The story had some very contrasting elements in that it was a love story between two rather serious characters, Laveretsky and Elizaveta, and yet just about every other character was primarily comedic. One of the greatest examples of this control was by Hugh Kennedy who played the role of Panshin. (If we compare this story to Pride & Prejudice, consider him Mr. Collins.) It is in this character’s nature to be utterly ridiculous, yet Kennedy was able to control this character enough to make him believably ridiculous. Thus, while we were able to laugh, we were also able to take the love story and the conflict within it seriously.

Truthfully, my only complaint is in regard to the ending. (No spoilers here.) Perhaps the contrast of comedic moments were too strong, making it difficult for me to completely invest in the more serious aspect of the story. I would love to hear any response in the comments.

I 100% suggest that you check out this new work- the Primrose Path. You have from now until June 15 to catch it at the Guthrie. Call the box office to get your tickets while you can!image

Side note: I was fortunate to meet many of the cast members after the show thanks to my friend who is also in the cast, Zach Garcia. In my brief interaction I could understand why this cast meshed so well together. Simply put- the people behind the characters are great people.

Advertisements
Tagged , , , , , , ,

Hamlet: Minnesota Opera

MN Opera Hamlet

Karyn

Here we go – our first blog post! We chose an opera to begin “Pumps and Playbills” (go big or go home). A good opera has subtitles, a girl-gone-crazy from love and dramatic deaths. Minnesota Opera’s product of Thomas’ Hamlet had me picking my jaw off the floor and wishing for more.

The opera is sung in French with English captions. I don’t speak French (honestly, I don’t really like singing in French), but this cast makes you feel the music and understand the story without the captions. And any cast that makes your forget you are in a theater for almost three hours is good in my book. Brian Mulligan’s powerful baritone voice commands the stage as he sings the leading role of Hamlet. You feel the love, anger and revenge that Hamlet experiences through his voice.

Now, my favorite part of the show – love-struck girl gone crazy! Marie-Eve Munger sang the part of Ophelia effortlessly stealing the show from Hamlet. She hits every high note known to man as she slowly sinks into madness onstage.  SPOILER ALERT: After Ophelia dies, she appears back onstage suspended in a cloud!!! She sings in the air like it is a natural process. I had to pick my jaw off the floor! Bravo to Munger!

After Ophelia dies, I lost track of the number of deaths in the show. The deaths were disappointing because every person that walked on the stage had a beautiful voice. Rarely do you find a cast of this caliber. Wayne Tigges and Katharine Goelner give stunning performances as Claudis (the new King of Denmark) and Queen Gertrude. Although everyone dies in the end, it was a treat to spend 2 hours and 45 minutes with them and this fantastic show. To go or not to go that is the question….not really, go see this show!

Continue reading

Tagged , , , , , ,