Pride and Prejudice: Guthrie Theater

“It is a truth universally acknowledged, that a single man in possession of  a great fortune, must be in want of a wife.” Jane Austen

I am not sure how much truth there is in this statement, but on the chance that there is some merit to it,  I just want to put it out there that I am single. 😉

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Written by: Chrissi

Pride and Prejudice at the Guthrie has been on my must-see list since I knew of it’s existence. When the run started back in the beginning of July I anticipated having more than ample opportunity to see it. I should have realized that with a story as popular at Pride and Prejudice and a top-notch cast featuring Mad Men star, Vincent Kartheiser, this show was going to sell out. But, alas, the reality did not sink in until I was ten days out from the final curtain and I realized that I needed to act fast and snatch up a seat to one of the final performances. I decided to fly solo this time around, so I was able to get an awesome seat.

In a sentence, Pride and Prejudice was the cherry on top of a wonderfully art-filled summer. It was light, beautifully executed, and unexpectedly hilarious. The set was beautiful and featured a turntable that allowed each scene to seamlessly flow into the next. Serious kudos go out to the crew for creating that and to the cast for gracefully functioning with the ground moving below their feet.

The show itself was fast-paced and all-in-all a romantic comedy. Pride and Prejudice is one of my favorite stories, and I was not expecting this lighter interpretation. Perhaps it was the pace, but I really wanted to be more invested in the conflict between Elizabeth and Mr. Darcy. It almost felt like they were not the main characters in the story, but that there were other stories happening around them. There is a lot of plot to squish in (the BBC film version is something like 5 hours long after all) but I still was longing for more of the conflict. Nevertheless, as a romantic comedy, this interpretation was top-notch. Mr. Collins as played by Kris Nelson, was perfect. If I recall, I audibly cringed at multiple points throughout his performance. Aeysha Kinnunen as Lydia Bennet was as obnoxious a flirt as you could hope for and provided a wonderfully shallow-depth to her character. Suzanne Warmanen as Mrs. Bennet was absolutely fantastic and I am pretty certain I had a few audible responses during her performance as well. (Sorry to the gentleman sitting next to me for all the times I said, “Oh my gosh.”)

I am so happy I was able to catch this show.  It was well done as always and a great end to the 50th Anniversary season at the Guthrie. I’ve been so fortunate to have seen so many great performances this season and I am very much looking forward to the season ahead.

Until next time!

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